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・ Beautiful Life (Chinese TV series)
・ Beautiful Life (Doc Walker album)
・ Beautiful Life (Guy Sebastian album)
・ Beautiful Life (Japanese TV series)
・ Beautiful Life (Lydia Canaan song)
・ Beautiful Life (Martha Davis album)
・ Beautiful Life (Måns Zelmerlöw song)
・ Beautiful Life (Nick Fradiani song)
・ Beautiful Life (Shy Nobleman album)
・ Beautiful Life (Union J song)
・ Beautiful Life (Vallejo album)
・ Beautiful Loser
・ Beautiful Loser (film)
・ Beautiful Loser (song)
・ Beautiful Losers
Beautiful Losers (film)
・ Beautiful Love
・ Beautiful Love (1931 song)
・ Beautiful Love (Julian Cope song)
・ Beautiful Love (The Afters song)
・ Beautiful Lumps of Coal
・ Beautiful Machine
・ Beautiful Machines
・ Beautiful Maladies
・ Beautiful mantella
・ Beautiful Maria of My Soul
・ Beautiful Me
・ Beautiful Memories
・ Beautiful Memories (Bing Crosby album)
・ Beautiful Mess


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Beautiful Losers (film) : ウィキペディア英語版
Beautiful Losers (film)

''Beautiful Losers'' is a 2008 documentary filmed by director Aaron Rose and co-directed by Joshua Leonard. It was produced by Sidetrack Films in association with BlackLake Productions, and stars several artists including Harmony Korine, writer of independent cult films ''Kids'' and ''Gummo''〔http://blog.spout.com/2008/03/10/sxsw-2008-beautiful-losers-aaron-rose/〕 and former graffiti artist Stephen Powers II
It premiered at South by Southwest on March 9, 2008 and later in general release on August 8, 2008 at the IFC Center in New York City.
==Subject matter==
The film focuses on the careers and work of a collective group of artists who since the 1990s began a movement in the art world using D.I.Y. aesthetics from skateboarding, graffiti and underground music such as punk rock and hip-hop. The artists discussed and interviewed in the film include Thomas Campbell, Cheryl Dunn, Shepard Fairey, Harmony Korine, Geoff McFetridge, Clare Rojas, Barry McGee, Margaret Kilgallen, Mike Mills, Steven "Espo" Powers, Aaron Rose, Ed Templeton and Deanna Templeton.
A series of interviews with these artists explains their reasoning behind their "do-it-yourself" style of street art. As some of these artists discuss their growth in popular artistic culture they explain how becoming renowned and admired in the art world was something that never occurred to them from their various roots in street culture, or simply creating art for themselves. As many of the artists began to be recognizable and sought after they discuss their series of commercial success: creating advertisements for popular products, designing products themselves, working in film and being hired to paint and create artwork in well known locations. The personal feelings and convictions of some of the artists and how creating work for corporations compares to their beginnings in street culture is also discussed. The film portrays the artists as outside the realm of contemporary art.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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